The latest by powerhouse artist-filmmaker duo Christine Molloy and Joe Lawlor picks up a thread from their last film THE FUTURE TENSE, a soulful investigation of Ireland’s tumultuous history. Here, using the form of a heist movie, they tell the true story of Rose Dugdale (played by Imogen Poots), a young heiress who rebelled against her English aristocratic upbringing to volunteer with the Irish Republican Army. In 1974, Dugdale and her collaborators swiped 19 paintings—including Rubens, Goya, and Vermeer—from a private home, using these treasures as leverage for the liberation of four IRA prisoners. Lawlor and Molloy’s highly atmospheric thriller plunges us into the Troubles with heart-stopping intensity, and Poots is riveting as the revolutionary. Beneath her radical facade, we see her fragility and inner turmoil, as she wrestles with appreciation for the beautiful artifacts of a world she has set out to destroy, and the fear of the chaos she has unleashed.
就在此刻，李剑重新出现在城楼边缘，双手背在腰后，如同一柄挺拔的利剑，傲然开口道：“六王爷，放弃无用的抵抗吧！”“投降是你唯一的出路！”“韩王府已被我们控制，韩州城已经被我们控制，韩州封地已经被我们控制，你现在被围此处就是无根的浮萍，从现在起。。。。。。你没有粮草，没有后勤供给，这仗你打不了！”片名：巴尔的摩
导演： Joe Lawlor,Christine Molloy
主演： 汤姆-沃恩-劳勒,Lewis Brophy,Jack Meade
上映地区：其它
巴尔的摩是观一场烟花秀，看烟花划进夜空，渐入佳境，于高潮时绽放。好电影以叙事和画面做向导，请观众的经验、情绪、思考铺满这个烟花会场，临到结尾，会场光影绽放，斑斓明亮，此时刻有高光共鸣，散场后意犹未尽的讨论
世界在变，我在衰老，我总归会远离能力极限的界碑，一切都成为过去式。如死亡不可拒绝，只有早晚。但总有这样的观点：当某人再达不到之的好成绩时，便跳出来批评，貌似从极限回落是一件羞耻的事情，羞耻到那个颠峰已不值一提。
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