Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniou群臣闻听此言后，这才长长的吐了口气！左相说话大喘气，真是吓死人！“陛下，此战胜负关系着帝国生死存亡，太子殿下才会谨慎无比，在战前没向陛下汇报作战计划，让陛下和我们一起担忧，让陛下和我们一起焦虑，这样的情形落在敌国奸细眼中会令其放松警惕，从而达到麻痹敌人的目的，为这场大战创造战机！”sly low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
片名：洛拉电台
导演： 安德鲁·莱格
主演： 斯蒂芬妮·马蒂尼,艾玛·阿普尔顿,罗里·弗莱克-拜恩,休·奥康纳,Aaron Monaghan,艾维安娜·斯诺,Philip Condron,Shaun Boylan
上映地区：英国
洛拉电台是观一场烟花秀，看烟花划进夜空，渐入佳境，于高潮时绽放。好电影以叙事和画面做向导，请观众的经验、情绪、思考铺满这个烟花会场，临到结尾，会场光影绽放，斑斓明亮，此时刻有高光共鸣，散场后意犹未尽的讨论
世界在变，我在衰老，我总归会远离能力极限的界碑，一切都成为过去式。如死亡不可拒绝，只有早晚。但总有这样的观点：当某人再达不到之的好成绩时，便跳出来批评，貌似从极限回落是一件羞耻的事情，羞耻到那个颠峰已不值一提。
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